Rootsie
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Roots
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« on: March 19, 2004, 11:57:10 PM » |
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The same people who are trying to tell the rest of us what is 'indecent' and 'obscene' and trash the First Amendment (largely successfully) are the ones who are flocking in droves to this pornographic spectacle.
From The New Yorker
Passion of the Christ (2004) Mel Gibson's bloody re-creation of the last twelve hours in the life of Jesus is one of the cruellest movies in the history of the cinema. Gibson and the screenwriter Benedict Fitzgerald selected and enhanced incidents from the four Gospels and collated them into a single, surpassingly violent narrative in which the incomparable glories of Jesus' temperament—the joyousness, the brilliance, the heart-stopping eloquence—are all but effaced by the spectacle of his physical destruction. The lashing and flaying, often in slow-motion, go on forever, and Gibson displays a curious technical fascination with the details of crucifixion—huge nails being hammered into hands and feet, with James Caviezel's Jesus howling at each blow. Here and there, the movie has a kind of grim power, and Caleb Deschanel's even gray lighting at the Crucifixion is stunning, but this is a sickening, unilluminating, and ignorant show. The filmmakers have also changed in small ways a number of things from the Gospels and ignored what historians know of ancient Judea, all with the result of making the Jewish leaders more, and the Roman leaders less, responsible for the death of Jesus. It's a deeply angry film, and one wonders how believers can react to it with anything but guilt, fear, or loathing.
— David Denby
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