the mode of survival, the voctory of being the survivor the strength that comef rom it, Bravo piece of writing

Who is the Artist and who is the Man, What differences lay therein?
Who is it that struggles more or less, is it a monopoly one over the other?
It is in the minds of all men to seek serenity and peace, to stand and hope for this is common to all.

Yes, we all have this in common, but the Artist has the tools with which to utter man’s dissent. This dissent to the injustices and violence’s waged upon the world and upon ourselves.

However, if the Artist believes that he is inculpable of these same injustices; his beliefs are that of indolence. For the Artist is no different in terms of the flesh and bone we speak of; this cage is inherent to all.

Struggle is also inherent. Who is it that has not done so? In this day and age as in most ages past, we have witnessed the violent upheaval of country against country, neighbor against neighbor. Americans and the world have watched towers and airplanes fall from the sky. And while this is agreeably horrific, we enlist and unleash a nationally based reprisal against our fellow human beings.

Yes, justice must be served, but it must be served by calm and learned hands. Some nine years later we find ourselves wallowed deep in the decay of war. And to what end has it been justified. The soldier will say that it is to bestow honor upon his fallen comrades and that is why the fight must go on. The politician will say it is to ensure stability in the affected region. The businessman will say it is to regain stability in the markets.

But the Man, the Woman and child only ask when will this end? The laid off workers, the new lower class of America, the grieving Mothers and Fathers, the limbless young men and woman. What is it that they see? The world’s future lies wounded upon an uncaring street.

And yet, what is it that an artist can do that a man cannot? The artist is a part of the melee, part of this violent soup. He may sit outside the bowl separate from the rest, but he cannot deny his complicity with this.

We must come to terms with our humanity as artists. For the artist to deny this would surely be the greatest lie. It is the twenty first century and we are the Writer’s, the artists of this age. What is it that we are prepared to tell the future? What is it that will be said of us and our work?

Let us not lie to them, let us not squander our opportunity to convey our perceived truths in the most laudable of lights. However we must all confess that we are first and foremost,
Man, simple men and women who struggle, who live, and die, who at times celebrate injustices, who embrace blind thought and bias’s, who breathe and bleed just as they, just as we… We are heartbeat and pulse of these times. But let us not hold that above our brothers and sisters, Let our combined works embrace the common man. For if not for him, Art is meaningless.

WEll done a wonderful piece

I am the past and I am the present. I am the digger of graves and the conveyance to them.
I am the string; connected to the puppets that wield my blows;

I am the thing they call, “Havoc” I am the Blue Monkey.

The key to my cage, that which sets me free is your disinterest, your apathy and hate. My freedom to roam unabated is your ignorance, and retribution’s bloody slate.  Man’s violence upon himself is my ignorant inspiration, and I revel in the thought of his de-creation.

I can be found in city and town, in far flung reaches around the world. I can be seen in newscast scenes, I can be found in the eyes of a starving child. My name is celebrated in ball ammo flight, and the pungent aroma of smoke and cordite.

I am the flame set to irreverent crosses; lighting the sky with racist delights, I am the tailor of white sheeted banners so bias. I am the unjustified 13 knots of retribution, fashioned on the hangman’s noose.

I am that thing they call “Havoc” I am the Blue Monkey.

Complacency is my friend, Revenge, my whore. Blood letting my delight, to even senseless scores. My hands are soiled with the lives of many, and I have been given freedoms in place of your outrage. Look around in farm and town, in village and city streets, my presence is everywhere…

 Keep sleeping; keep sleeping,
For when you awake, I shall have to go.

I am the vehement articulations of opinion and rhetoric, and in spite of your diatribes,
It is they that give me wing. I am the developer of future battlefields. I was the architect of the Auschwitz oven, the builder of the Berlin wall. I was the sharpened blade of Tutsi, Hutu cleansings. I am the mix master of Jim Jones’s cool aide. I am confusion; I am disassociation, alienation and empty pride.

I am the thing they call “Havoc” I am The Blue Monkey.

You will find me in back alley shooting dens, on skid row’s bleeding pavement.
You will find me in lonely fields and dark forests, within the graves of the murdered unknown. You will see my reflection in broken mirrors, for I celebrate their fall,
And I will revel in the screams of your unheard call.
They call me destruction; I am your neutron bomb. I am the wings of the Enola Gay at thirty thousand feet, reaching out to touch you. With nuclear, holocaust treats.
I am dynamite, TNT, I am the thought imposed in political superiority. I am the IED
On the path of Man’s sacred journey.  I am travail and tribulation.

I am that thing they call “Havoc” I am the Blue Monkey.

I am the summation of all your perceived wrongs, and yet you tarry about,
Clanging self-righteous gongs,
You see, but you are blind, you listen but do not hear. Instead you wallow in the pits of self loathing and determinate fear. And in that fear, it becomes quite clear that indeed your hearts are closed, for to open them wide would cause your heart to collide with the awful truth about me.

Yes, keep sleeping; and sleep well,
For when you awake, I shall have to go.

For I am the thing they call “Havoc” I am the Blue Monkey…








 

Strong words but i liked the writing

Recollections of Florida beaches,
Strewn with human cargo.
The wreckage and flotsam,
The derivatives of ancient
Haitian teak, and Cuban dreams of
Liberty and Freedom.

The exodus of one way packet fleets,
Sailing for elusive dreams,
Fifty people in a thirty foot vessel.
The risk is worth the wrath
Of the Sargasso Sea.

How can I convey the loss and human toll?
What can one say, when you see them sink and drown
Just fifteen yards shy of freedom’s caress?

Gray bearded rats, and demented, dictatorial doctors
Pushed them onto their homeland shores,
Pitching them into the sea.

A Haitian and Cuban cemetery…
Lost futures and wasted dreams
At the hand of Power’s
Hierarchy.
These waters and reflections
Have become a part of me.

I used to love the Ocean,
In my youth it was my calling.
The only call that I hear now
Are the screams of the drowning and dying.

And to what ends I ask?
And to what ends I ask?
So much for the poor and down trodden,
But this is one who has never forgotten.
The scars of memory
Shall remain,
 And I shall never forget.